
Original postcard art. Ink and watercolor. I send them as-is, no prints. Hoping they won’t get destroyed in the mail or in weather.
Art and Writing

Original postcard art. Ink and watercolor. I send them as-is, no prints. Hoping they won’t get destroyed in the mail or in weather.
I finally bought a stamp pad, so I carved a rough little “stamp” stamp that is basically a frame for whatever I want to draw and put into it. In this case, I tried out some little portraits, a question mark, a rabbit (or kangaroo?) and a mouse deer. The mouse deer has fangs, and it’s a mythical trickster in the Philippines. I also carved an even rougher little “IUOMA” stamp (International Union of Mail Artists).
It has been difficult for me to get moving on even the most simple art projects this month. So I have to celebrate when I do any little thing . . .

I finally incorporated my domain in this website, so the URL is more streamlined and I have a few more options. It took several days for this change to “propagate,” as they say. But here it is. Now, after more than a decade of being an on-and-off WordPress user, I’m finally learning how to use the dang WordPress Reader, which feels like social media from the early 2000s. I notice that WordPress has enabled paid subscriptions. Not sure what to think of that. But I feel like if I’m finally going to commit to being here, I might as well learn this platform like I should’ve long ago.
I also have a new post up on Eulipion Outpost (Substack), entitled “Pasalubong, Pesos, and Pining for Home.”

Above: Philippine pesos from previous decades. Photo by Jean Vengua.
In the meantime, it feels like civilization is undergoing a reset. I’m anxious about it, just like everyone else. Yet, I just keep chugging on . . .
Ink on watercolor postcard. I’ve switched from using mostly pen to now using a brush, which has really loosened up my line. #mailart

Listening to a talk by Vanessa Davidson and Florencia Bassano on mail art in Latin America. There are some ideas here that I’m thinking about. I’m using this blog also to archive some media that is meaningful to me.
Mail art was “concerned with the mechanics of communication in general, [and] with aesthetic communication in particular.”
See also Edgardo-Antonio Vigo: “The fact that the [art] work must travel a set distance is part of its structure; it is the work itself. The work has been created to be sent through the mail. The postal system then does not exhaust its function in the transfer of the work, but it incorporates and conditions it. And the artist changes, in turn, the function of this medium of communication.”
See also mail artists:
Paulo Bruscky. “O meu grito.”
Leonhard Frank Duch: “I Am An Artist.”
Eugenio Dittborn
Claudia del Rio
Did email kill Mail Art?
See also the 2025 exhibit In Creative Harmony: Three Artistic Partnerships in the Blanton Museum of Art. The idea that artists never create in isolation.
Ink and watercolor on watercolor postcard with asemics. 2/10/2025

Ink and watercolor on watercolor postcard, 2/16/2025
#inkdrawing

Several years ago, I was working with “procedures” to make art, and it feels like a good time to do that again. It provided a fascinating rule-based activity that helped me deal with the chaos of life. Found this revision of a geomancy site I had previously consulted. One can use divination procedures to initiate art.
Here is an older piece on mixed-media paper based on a found word in the dictionary, “gross.” The word and the rules determined the media and the content in each section.

“Ai, Lady,” as the characters swear in Kate Elliott’s Crown of Stars series: How many years have I been a WordPress user, and I only now figured out that the eyeglass icon leads me to the WordPress reader?!!! Sigh. And thanks to all three of my followers!
I’m once again trying to decide whether or not to upgrade this site and implement my domain. If you have any thoughts on that, let me know. Are the ads on this site irritating? Let me know.
Anyway, here is an older asemic:
:#asemics #analogart #wordpress


Fire Season 2016: Soberanes 2. Acrylics on canvas, 20 x 20 x 1 in. (sold).
I’ve been thinking of the “Fire Season” series of paintings I did in 2016. Perhaps I’ll take that up again. I have a different attitude towards wildfires, now, and want to explore that.
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